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Ideas, inspiration, ephemera. Put 'em in the freezer and bake some bread later.

Reinvention

HILLMAN from Hillman Curtis on Vimeo.

I was saddened to hear about the recent passing of Hillman Curtis, a true pioneer in the world of design and creativity. In the video above, where you will see a man ravished from the cancer which would eventually kill him, you will also see a man who had the courage and drive to persue his creative calling.

Near the end of the video, he tells young designers to "be prepared to reinvent yourself."

"Be prepared to go out on a limb, occassionally. And be prepared to do the things that you feel strongly about, that maybe other people don't. That maybe don't have an immediate source of income or revenue. For me, what started out as a vacation, a creative vacation, from these bigger corporate jobs, has become my life calling."

I'm not a designer. And I'm certainly not young. But I've been on a journey, myself, that started out as a creative vacation. I think in some ways, this blog played a small part in getting me started on this journey. I move on down the road, inspired and energized. I hope this blog helped you feel that way at times, as well.

This will be my last post here.

 

Posted on April 19, 2012 at 03:25 PM in Advertising, Creative Inspiration, Creative Masters, Design | Permalink | Comments (10) | TrackBack (0)

Twitter Job Hustle

 

Here's how two young creatives in the Netherlands, Bas van de Poel and Daan van Dam, used Twitter to land a prized agency job for the summer. Nice going.

Posted on June 30, 2011 at 03:12 PM in Advertising, Creative Ideas, Video, Web 2.0 | Permalink | Comments (0) | TrackBack (0)

Thank You, Mr. Ogilvy

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Start a blog or open a Facebook account and, after choosing passwords and a sceen name, you'll be faced with having to upload a photo to represent you online. This is what happened to me in the first weekend of March, 2007 when I simultaneously started this blog, as well as my @badbanana Twitter account. I had no real intention of keeping my Twitter account, so I just reached for a photo that I already had on my desktop.

That photo was of legendardy ad man David Ogilvy. Today is the 100th anniverary of his birth.

Like most aspiring young copywriters in college, I treasured Ogilvy's books. But he represented far more than old-school wisdom in my mind. Here was a larger-than-life ad god. An industrial titan. A creative mind who respected the housewife reading a magazine ad just as much as the factory worker whose job depended upon a successful new product launch. Years later, when I started my own agency, many of his principles drove the way we did our work for clients.

So, just as some people might choose a favorite sport team's logo for an avatar, I chose a picture of David Ogilvy.

When it became obvious that I would keep my Twitter account for a while, I tried to move on from that avatar. Each change, however, caused a huge outcry from followers. There was just something about that face that made my strange and sometimes humorous observations just a tad bit more interesting. The oddest thoughts just seemed a little more normal coming out of that mouth. Or even odder.

The point is, I'm stuck with David. And I've grown to enjoy telling people about the real man behind the avatar. Even if it is sometimes strange for people to say they're not anxious to meet me in person because they don't want to know what I really look like. They prefer the illusion.

David would certainly understand that. While on a tour of a shirt factory once, he famously refused to go into the room to see how the shirts were actually made. He preferred to think they were lovingly hand-made by little old ladies. The truth would only serve to disappoint, he said.

I'm sure Ogilvy wouldn't mind me using his face on Twitter. And I'm positive he'd be fascinated with all these new technologies transforming the way marketing is done today. He was a research man at heart. The ability to record and analyze views and clicks and real-time conversations would have fascinated him to no end. Although I'm also quite sure he'd have a stern warning to the modern-day ad men who think in terms of avatars. These are people, he'd say.

Today, I'm in Cannes, reporting from and commenting on the largest advertising festival in the world on behalf of Cannes Centrale. To ad professionals, this is the center of the universe. And, quite frankly, I've spent twenty years working on the outer reaches of this universe. I never imagined I'd be here.

So it's only fitting that I'll be right here, on this day. A day when a red carpet will be rolled out along the Promenade de la Croisette in honor of David Ogilvy's birth 100 years ago.

Thank you, Mr. Ogilvy. I wouldn't be here without you.

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Posted on June 23, 2011 at 12:10 AM in Advertising, Creative Masters | Permalink | Comments (8) | TrackBack (0)

Epic

 

 

 

 

 

Five of the favorites to win gold in Cannes this week. All epic in scope, scale, and/or execution.

The Ikea spot is strategically brilliant and compelling. The Carlton Draught spot is one of the best commercials I've seen in a long time. The Target event, however, is one of the coolest things I've seen, period.

Excellent work from Weiden + Kennedy, Amsterdam (both Heineken and Nike), Mother, New York (Target), Mother, London (Ikea), and Clemenger BBDO, Melbourne (Carlton Draught).

UPDATE 6/27: The Nike film took the Grand Prix in the film division. The Heinkeken and Carlton Draught films both won Gold Lions. All winners can be viewed here.

Posted on June 20, 2011 at 03:35 AM in Advertising | Permalink | Comments (2) | TrackBack (0)

Follow Along in Cannes

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I'll be in France this week, chasing down interviews, tweeting my experiences, and providing some quirky commentary over at Cannes Centrale. If you're at the Cannes Lions festival, as well, be sure to follow the action on your phone or iPad all week long. (Better yet, hunt me down and buy me a drink.) If you're stuck at work, slaving away on deadlines while the rest of the ad industry works on their tan, check in from time to time to see what you're missing.

And if you have any hot tips or gossip or people you think I should interview in Cannes (and any questions you want me to ask them), leave a comment or shoot me an email.

Posted on June 19, 2011 at 03:13 AM in Advertising | Permalink | Comments (0) | TrackBack (0)

Park Assist

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A simple, clever idea for Volkswagen's electronic Park Assist feature. Solid work from Grabarz & Partners, Hamburg.

Via Ads of the World.

Posted on May 01, 2011 at 12:23 PM in Advertising | Permalink | Comments (0) | TrackBack (0)

Christmas Entertainment

 

Created by Mother London, these 10-second commercials for Schweppes ran in the UK over the hoiidays last year and somehow managed to escape my notice until now. (So sue me, I don't watch TV in the UK.) A truly inspired idea.

Via Dave Ibsen.

Posted on December 05, 2010 at 04:08 PM in Advertising | Permalink | Comments (2) | TrackBack (0)

Silver Coins

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Stunning ads for Rough Guides (budget travel guides from Penguin Books). The rather basic idea of seeing more for less is breathtakingly executed with pocket coins from around the world. Perfect. Click to view large and admire the attention to detail. The art direction is so well crafted, there isn't even a need for a separate logo or tagline slapped into a corner somewhere. It's all organically self-contained. Great work from DDB Singapore, well deserving of the Silver Lion won at Cannes last month.

Via Ads of the World.

Posted on August 16, 2010 at 04:14 PM in Advertising | Permalink | Comments (1) | TrackBack (0)

Mad Men Unbuttoned: Western Union 1963

IgnoreIt

The following is an excerpt from the forthcoming book, Mad Men Unbuttoned by Natasha Vargas-Cooper. If you're a fan of the series Mad Men, and appreciate 1960s advertising and design, you'll love this book. Natasha asked if I would make a contribution to the book in the form of an ad critique. The following is reprinted with her permission.

 
Book Great ads are simple.

The talented people who work in advertising agencies know this. But, god help them, they often can't help themselves. A talented wordsmith may want to squeeze in just one more clever line. The art director may want to add just one more stylistic flourish. And that's just in the creative department. The account executive might want to hedge his bets and work in some more sales copy about a second or third product line in order to please his client. And all bets are off if the client gets down in the trenches. Or (shudder) the client's spouse.

And that's why there are so few great ads.

This one is. Throw out the fact it's selling telegrams. Ignore the dates headline typeface. Don't worry, modern reader, about the lack of a website address for more information. This would be a great ad in 1983, 2003, or today.

The crafters of this ad understood human nature. Tell us to ignore something, and we won't be able to. Snap. Which is the entire idea of the ad. Not just the idea of a clever copywriter/art director team, mind you. Those are a dime a dozen. No, it's the very essence of a Western Union telegram. It's not just a powerful idea, it's a relevant idea. And those kinds of ideas are worth their weight in gold.

Now notice the craft of the art director. The layout forces you to quickly glance at the yellow telegram, but the bold typeface and dramatic white space pulls your eye upward to the headline. You've already noticed that there is small type in the telegram and, good grief, there's no way you're not going to read that copy.

Now notice the craft of the copywriter. The copy gets right to the point. Because, again, that's the idea of a telegram. This is no time for fluffy copy or clever wordplay. And while the writer no doubt could craft a double-entendre that would make your head spin and smile in admiration, he or she should be commended for showing masterful restraint here.

Now notice the craft of the creative director. A powerful creative hand helped guide this ad through final approval, no doubt. See how there are no superfluous elements? No background texture. No colors to distract from the yellow telegram. The copy is contained in the telegram. There's not even a need for a logo, as the client's name is proudly displayed on the telegram itself. There's not a single detail here that's not needed (or organically part of a Western Union telegram). Everything has been stripped away so the focus is on the idea itself.

A single, powerful, relevant idea simply executed. It sounds easy. It's not. Whether you worked in advertising in 1963 or today.


Mad Men Unbuttoned comes out July 20. You can preorder your copy now.


Posted on June 01, 2010 at 06:13 AM in Advertising, Vintage Advertising | Permalink | Comments (4) | TrackBack (0)

The Beard Tamer

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Any campaign featuring a mustache riding a unicycle is okay in my book. Very nice art direction from the fine folks over at BBDO (Berlin).

Via I Believe in Advertising.

Posted on February 23, 2010 at 02:21 PM in Advertising | Permalink | Comments (6) | TrackBack (0)

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